Aldous Huxley Annual
Aldous Huxley Annual: A Journal of Twentieth-Century Thought and Beyond
edited by Bernfried Nugel and Jerome Meckier
Aldous Huxley Annual at LIT-Verlag
http://www.lit-verlag.de/reihe/aldhux/
The Annual is the official organ of the Aldous Huxley Society at the Centre for Aldous Huxley Studies in Münster, Germany (see AHS homepage). It publishes essays on the life, times, and interests of Aldous Huxley and his circle.
Submission deadline for vols. 10-11: 30 September 2011.
Submissions (2 copies in English) must conform to the MLA Handbook.General Editors:
Jerome Meckier, English Department, University of Kentucky, Lexington, KY 40506-0027 (USA);
Bernfried Nugel, Englisches Seminar, Westfälische Wilhelms-Universität, Johannisstr. 12-20, 48143 Münster (Germany).
AHA is published by LIT Verlag, Grevener Str./Fresnostr. 2, 48159 Münster (Germany).
AHA, 1 (October 2001), 248 pp., ISBN 3-8258-4370-X
Contents:
Aldous Huxley, "Utopias, Positive and Negative (1963)"
(edited and with an afterword by James Sexton, 1-9)
Joseph R. Jones, "Huxley in Lima," 11-28
W. J. Stankiewicz, "Aldous Huxley Our Contemporary (A Political Theorist's View)," 31-41
Donald Watt, "A Modest Proposal: Brave New World as Contemporary Film," 43-64
David Garrett Izzo, "'Dear Gerald': Letters to and from Aldous Huxley, Gerald Heard, and Friends," 65-84
Paul Eros, "'A Sort of Mutt and Jeff': Gerald Heard, Aldous Huxley, and the New Pacifism," 85-115
Ian Ross, "Towards The Perennial Philosophy: A Meditation on Aldous Huxley's Essay 'Beliefs' and David Hume's Resort to Book Burning," 117-143
Gerhard Wagner, "Aldous Huxley as Anthologist: Texts and Pretexts and The Perennial Philosophy," 145-155
Peter Firchow, "Brave at Last: Huxley's Western and Eastern Utopias," 157-174
Sanford E. Marovitz, "A 'Phantasy' and A Fable: Huxley and Faulkner on Nationalism and War," 175-189
Willi Real, "From Brave New World to Island : Didactic and Methodological Suggestions for a New Course Plan," 191-209
Bernfried Nugel, "How Reliable Are the Current Huxley Texts? Toward a Critical Edition of the Works of Aldous Huxley," 211-225
Jerome Meckier, "Aldous Huxley's American Experience: The Inaugural Lecture for the Centre for Aldous Huxley Studies, Münster," 227-239
AHA, 2 (February 2003), 243 pp., ISBN 3-8258-6280-1
Contents:
James Sexton, "Aldous Huxley’s Early Excursions into Literary Criticism: Some Lesser Known Essays," 1-6
Aldous Huxley, "[Sir John Davies: Self-Knowledge]" (1920), 7-10
"[Sir Kenelm Digby's 'Closet Opened']" (1920), 10-13
"Forgotten Satirists" (1920), 13-24
"On Wit" (1920), 24-27
"Pope" (1919), 27-30
"[Ossian]" (1920), 30-33
"[Godwin and Bailey]" (1920), 33-36
"[Erasmus Darwin and Anna Seward]" (1919), 36-39
"[Edmund Gosse]" (1919), 40-43
"Poetry and Science" (1919), 43-46
"Ruskin" (1919), 46-49
"[Butler’s Erewhon]" (1934), 49-54
"Lawrence in Etruria" (1932), 55-57
"Censorship" (1930), 58-61
"The Relevance of Style" (1967), 61-64
Lothar Fietz, "Life, Literature ant the Philosophy of 'As If': Aldous Huxley's and Lawrence Durrell's Use and Critique of 'Fictions'," 65-102
Pierre Vitoux, "Aldous Huxley and Poetry," 103-119
June Deery, "A Neglected Form: Huxley’s Short Stories and the Relation Between Art and Money," 123-145
David Bradshaw, "Huxley's 'Tinpot Mussolini' and the KKK’s 'White Fox': A New Source vor Everard Webley and the Brotherhood of British Freemen," 146-159
David King Dunaway, "NPR's 1997 'Morning Edition' on Brave New World," 161-164
David King Dunaway, "Huxley and Human Cloning: Brave New World in the Twenty-First Century," 165-179
Joel Deshaye, "Attention from Saskatchewan: Huxley, Osmond, and the Psychedelic History of The Doors of Perception and Island," 181-205
Dana Sawyer, "'What Kind of a Mystic Was Aldous Huxley Anyway?' A Brief Appraisal of His Mysticism," 207-218
Bernfried Nugel, "Two Unpublished Essays by Aldous Huxley," 219-222
Aldous Huxley, "Literature and Modern Life," 223-233
"Science, Technology and Beauty," 235-243
AHA, 3 (December 2003), 237 pp., ISBN 3-8258-7137-1
Contents:
James Sexton, "Background to Brave New World: Five Essays by Aldous Huxley," 1-9
Aldous Huxley, "Notes on Decoration" (1930), 11-14
"Puritanism in Art" (1930), 15-17
"Modern Amusements," 18-20
"Christ and the Present Crisis," 21-23
"Pareto's Museum of Human Stupidity" (1935), 24-32
Aldous Huxley, "Brave New World: A Musical Comedy" (1956)
(edited by Bernfried Nugel and with an afterword by Jerome Meckier, 33-128)
Margaret F. Sloan, "Frank Hamilton Cushing: A Source for Huxley's Brave Old World," 129-153
Jerome Meckier, "Onomastic Satire: Names and Naming in Brave New World," 155-203
A. A. Mutalik-Desai, "Crome Yellow Revisited," 205-216
Claudia Rosenhan, "Aldous Huxley and Anti-Semitism," 217-237
AHA, 4 (December 2004), 230 pp., ISBN 3-8258-8272-1
Contents:
James Sexton, "Some Unfamiliar Travel Essays by Aldous Huxley," 1-3
Aldous Huxley, "From a Tourist's Notebook" (1923), 5-12
"The Tyranny of the Guide-Book" (1923), 13-15
"Oldest and Newest" (1923), 16-18
"God and Mammon" (1933), 19-20
"Chichicastenango" (1934), 21-22
"The Riddle of Guatemala" (1934), 22-25
"Notes on the Way, 3 July 1937," 26-31
"Notes on the Way, 17 July 1937," 31-32
"Out of Time into Space" (1962), 33-35
Aldous Huxley, The Genius and the Goddess (1957), 36-204
(edited by Bernfried Nugel and with an afterword by Jerome Meckier)
Bernfried Nugel, "A Note on the Text," 39-41
The Genius and the Goddess, 42-134
Appendix 1: "Facsimile Pages from the Typescript," 135-141
Appendix 2: "Revisions of the Play," 143-152
Appendix 3: Aldous Huxley, "Letter to Helen Harvey," 153-155
Appendix 4: Aldous Huxley, "Postscript to a Misadventure," 157-159
Jerome Meckier, "Afterword," 161-204
Peter E. Firchow, "Aldous and Julian: Men of Science, Men of Letters," 205-230
AHA, 5 (2005), 230 pp., ISBN 3-8258-9292-1
Contents:
James Sexton, "Aldous Huxley aka Condé Nast's 'Staff of Experts,' Part I," 1-10
Aldous Huxley, Part I: Essays on Painting:
"The Mind of Leonardo" (1919), 13-15
"Art and the Quality of Life" (1923), 16-18
"Mark Gertler" (1922), 19-21
"The William Strang Memorial Exhibition" (1922), 22-24
"The Grosvenor Gallery Exhibition" (1922), 25-28
"Nevinson at the Leicester Galleries" (1921), 29-31
"Paintings by Simon Bussy" (1922), 32-34
"A Modern Fresco Painter" (1922), 35-37
"The Autumn Picture Season" (1922), 38-40
"Notes on the Work of Vladimir Polunin and on the Contemporary
Reaction Against Realism" (1923), 41-42
"The Art of Duncan Grant" (1923), 43-44
"French Art of the XIXth Century" (1923), 45-47
"The Unknown God" (1923), 48-51
"The Art of Roger Fry" (1923), 53-55
"Vorticists, French and English Drawings, Mestrovic" (1916), 56-58
"[Comic Papers]" (1919), 59-61
"Dead Nature or Life" (1923), 62-64
"Leonardo, Then and Now" (1952), 65-67
Jerome Meckier, "Crome Yellow: The Georgian Poet Orders His Tomb," 69-96
Peter E. Firchow, "Nancy (Myra, Lucy); Carrington (Mary, Anne); and Aldous (Theodore, Walter): Fact and Fiction," 97-115
Michel Weber, "On Religiousness and Religion: Huxley's Reading of Whitehead's Religion in the Making in the Light of James's Varieties of Religious Experience," 117-132
Samantha Vibbert, "The Influence of Freud's Beyond the Pleasure Principle on Huxley's Brave New World," 133-149
Anna Deters, "Eyeless in Gaza: Mystical Means and Socio-Political Ends," 151-165
Michael Snyder, "Premonitions of the Postmodern: Aldous Huxley's After Many a Summer Dies the Swan and Los Angeles in the Thirties," 167-192
Irina Golovacheva, "Witches and the Devil in Salem and Loudun: Aldous Huxley, Marion Starkey and Arthur Miller on Demonic Possession," 193-213
Valery Rabinovitch, "Aldous Huxley and Russia: Brief History of a Dialogue," 215-230
AHA, 6 (2006), 211 pp., ISBN 978-3-8258-1436-6
Contents:
James Sexton, "Aldous Huxley aka Condé Nast's 'Staff of Experts'," 1-6
Aldous Huxley, Part II: Essays on Architecture, Applied Arts and Sculpture:
"The Problem of Uniformity" (1924), 9-11
"Sir Christopher Wren, 1632-1723, Architect" (1923), 12-16
"Architects and Their Problems" (1921), 17-19
"Beauty in Common Life" (1921), 20-22
"The Effects of Time" (1921), 23-25
"Architecture and the Modern Environment" (1922), 26-28
"Contemporary Architecture" (1923), 29-31
"Architecture and Literature" (1923), 32-34
"Art and Craftmanship in Industry" (1935), 35-37
"Art and Industry" (1922), 38-40
"Comfort and Period Furniture" (1922), 41-43
"Does the Twentieth-Century Style Exist?" (1922), 44-46
"The Lesson of the Adams" (1923), 47-48
"The Work of Some Modern Decorative Artists" (1926), 49-52
"An English Sculptor" (1923), 53-55
"An Ancient and Two Moderns" (1922), 59-61
Jake Poller, "'These Maximal Horrors of War': Aldous Huxley, Garsington and the Great War," 63-75
Brian Smith, "Beyond Totalitarianism: Hannah Arendt and Aldous Huxley's Brave New World," 77-104
Jerome Meckier, "Satire as 'Discriminative Sympathy': Form and Format in Lady Chatterley's Lover," 105-134
Lothar Fietz, "Myth, History and Utopianism: Ideology and Ideology Criticism in Aldous Huxley's Work," 135-147
A. K. Tripathy, "The Bhagavad Gita in Aldous Huxley's Work," 149-158
K. S. Gill, "Nirvana for Agnostics: Aldous Huxley and the Asian Context," 159-176
Bernfried Nugel, "A Preliminary Catalogue of Aldous Huxley's Manuscripts, Typescripts and Proofs at Laura Huxley's Residence," 177-211
AHA, 7 (2007), 241 pp., ISBN 978-3-8258-1939-2
Contents:
Peter Edgerly Firchow, "Huxley and Isherwood: The California Years," 1-12
James Sexton, "The Unknown Huxley: An Anthology of Uncollected Prose 1919-1963," 13-21
Aldous Huxley, "[Simplicity]" (1919), 23-27
"Satire and Native Woodnotes" (1919), 27-29
"Poetic Temperatures" (1920), 30-33
"A Country Walk" (1920), 34-37
"Imaginary Conversation - Sir Kenelm and Venetia Digby" (1921),
38-43
"American Poetry" (ca. 1921), 44-47
"The Puppets" (1921), 48-51
"Anything But the Truth" (1921), 52-53
"Proust in English" (1922), 54-57
"Comedy and Tragedy" (1922), 58-59
"High Art and Tediousness" (1922), 60-61
"Public Opinion and Personal Liberty" (1922), 62-64
"Confound Their Politics" (1922), 65-66
"Poets and Weddings" (1923), 67-72
"The Wedding Breakfast" (1923), 73-78
"A Motto for America" (1926), 79-80
"The University of Travel" (1927), 81-84
"In the Midst of Life" (1927), 85-86
"Snobs" (1927), 87-89
"Bores" (1927), 90-91
"Authors Who Cannot Write Films" (1927), 92-93
"Witches Still" (1927), 94-96
"Freaks in Books - And Those You Meet at Dinner" (1929), 97-99
"The Things That Interests Me" (1931), 100-102
"The Future of Leisure" (1933), 103-106
"Manifesto" (1934), 107-109
"Civilization and Sex" (1934), 110-113
"Personality" (1934), 114-117
"Progress and the Individual" (1935), 118-121
"Anthropology and Social Reform" (1935), 122-125
"I Am a Highbrow" (1935), 126-128
"[Maxim Gorki]" (1939), 129-131
"Propaganda in Wartime" (1940), 132-133
"Dust" (1941), 134-139
"Who Are You?" (1944), 140-154
"[Appendix: An Interview with Claire Myers Owens:]
Aldous Huxley to Tea" (1954), 155-158
"Note on Kafka" (ca. 1946), 159
"Whose History?" (1947), 160-165
"On Adaption" (1957), 166-170
"Exploring the Borderlands of the Mind" (1961), 171-178
"Salt" (1963), 179-183
Jerome Meckier, "On D. H. Lawrence and Death, Especially Matricide: Sons and Lovers, Brave New World, and Aldous Huxley's Later Novels," 185-221
Lothar Fietz, "At the Crossroads of Science, Metaphysics and Religion: Aldous Huxley and Erwin Schrödinger," 223-241
AHA, 8 (2008), 238 pp., ISBN 978-3-643-10450-2
Contents:
Bernfried Nugel & Gerhard Wagner, "'The Nun's Tragedy': An Unknown Story by Aldous Huxley," 1-3
Aldous Huxley, "The Nun's Tragedy", 5-30
James Sexton, "The Problems of Love: Three Little-Known Stories by Aldous Huxley: 'Over the Telephone' - 'Nine A.M.' - 'Consider the Lilies'," 31-39
Aldous Huxley, "Over the Telephone" (1923), 41-48
"Nine A.M." (1924), 49-60
"Consider the Lilies" (1954), 61-89
Gerhard Wagner, "Aldous Huxley and the Desert," 91-107
Sanford E. Marovitz, "A New Look at The Art of Seeing," 109-124
James Sexton, "Fictional and Historical Sources for After Many a Summer," 125-136
David Leon Higdon, "Aldous Huxley and the Hopi Snake Dance," 137-152
Ronald Lee Zigler, "Democratic Values and the Social Visions of Aldous Huxley: The SAT as our Brave New Test," 153-165
Willi Real, "Aldous Huxley's Brave New World as a Parody and Satire of Wells, Ford, Freud and Behaviourism in Advanced Foreign Language Teaching (FLT)," 167-206
Sanjukta Dasgupta, "Geographics and Gender: Ideological Shifts in Brave New World and Island," 207-219
Dana Sawyer, "'Brave New World-View': Aldous Huxley, Environmental Prophet," 221-238
AHA, 9 (2009), 227 pp., ISBN 978-3-643-10846-3
Contents:
James Sexton, "A New Huxley Miscellany," 1-12
Aldous Huxley, Stories: "Miss Zoe" (1917), 13
"A New Hat" (1922), 14-15
"The Ladder" (1922), 16-17
"The Cough" (1922), 18-19
Poems: "[Soap]", 21
"On the Road to Garsington", 22
"Lines on a Certain Music", 22
"Before Sleep Comes" (1924), 23
"The Mill Wheel" (1924), 23
"Clouds Over Carrara" (1924), 24
"Smithfield" (1927), 25
"Made Not Born" (1931), 26
"The Lady and the Pug", 29
Essays & Reviews: "The Poetry of Faith" (1919), 30-32
"[Lorenzo Da Ponte]" (1920), 33-35
"[Landor]" (1919), 36-37
"[Human Oddities]" (1920), 38-40
"[London and Paris]" (1921), 41-43
"Dreams" (1924), 44-46
"Concerning Dutch Architecture" (1924), 47-50
"Classical Traditions and Common Sense" (1924), 51-53
"The Architecture Club Exhibition" (1923), 54-56
"The Problem of Architecture in the Town" (1922), 57-60
"How to Be Homely Though Handsome" (1922), 61-64
Papers from the Fourth Aldous Huxley Symposium:
Bernfried Nugel, "Aldous Huxley's Revisions of the Old Raja's Notes on What's What in His Final Typescript of Island," 69-90
Gerd Rohmann, "Matters of Life and Death: Montaigne and Buddhist Philosophy in Huxley's Analysis of the American Dream and His Personal Experience," 91-102
Guin A. Nance, "Biblical Interpolations in Aldous Huxley's The Perennial Philosophy," 103-114
Jake Poller, "'God-Intoxicated': An Essay on Jiddu Krishnamurti and His Relationship with Aldous Huxley," 115-132
Akhilesh Kumar Tripathy, "Aldous Huxley's Literary and Spiritual Odyssey: From Euro-English to Indo-Eastern Shores via America," 133-144
Grzegorz Moroz, "The Narrative Personae of Aldous Huxley's Travel Books," 145-182
Valery Rabinovitch, "The Critical Dialogue Between Brave New World and Island," 183-190
Eva Oppermann, "The Role of the Snakes in Aldous Huxley's The Crows of Pearblossom and Island," 191-202
The First Peter Edgerly Firchow Memorial Essay Prize:
Brian Smith, "Jeffersonian Reminders: Aldous Huxley on Property, Happiness and Freedom," 205-227
